(dis)placemaking

2025

(dis)placemaking are a series of paper and light based works, recreating romero’s familial home in Venezuela from memory. Mirroring the nature of memory, the content is fragmented, flowing through text, images, and gaps in order to bring romero’s memory (and lack thereof) into an experiential space. The works take cues from book arts in both form and methodologies, using the traditional materials along with time-based elements to create an immersive “book”. The works use light to hide and reveal parts of the memories embedded in each fragment.

This work is in direct response to the growing violence against immigrant/diasporic communities, specifically highlighting Venezuelan refugees. (dis)placemaking, contextualizes diasporic longing as a symptom of displacement. To leave one’s home isn’t always a choice, but a necessity. (dis)placemaking focuses on the mourning of home, memory, and ancestral ties when forced to exist in the diaspora.

Thank you to Leesa Ortiz for the photographs and video.

Memory of an orchid

2025

Paper, PVA, lamps, smart bulbs, extension cord, power strip, grommets, mason line

What happens to a hearth when a house is abandoned?

2025

Paper, vinyl, PVA, lamps, smart bulbs, extension cord, power strip, grommets, mason line

Timelapse of lighting changes throughout the day from timers.

Next
Next

Where the Orchids Bloom (dear mom)